Archive for the 'Film' Category

9.3: Apps for Directors

January 2, 2013

If you’re a movie director — large or small or aspiring — and you have an iPhone or iPad, you should check out this list of apps to download put together by Neptune Salad. These apps will genuinely help you on your quest as a filmmaker.

via Twitter user @horrorgeek


4.9: Jack Reacher Not Postponed

December 21, 2012

Two days ago I said that Jack Reacher was being pushed back for massacre-related reasons. That was mostly wrong. It’s the premiere that was postponed, and I had interpreted “premiere” as “release”. I’m sorry.

Read, re-read, and read again (or at least skim) should be my new motto. To be fair this is one of the first times I’ve tackled “news”, and I’m still learning, but misreading stories and reporting misreads is something that can’t happen again.

3.2: Is Jackie Chan Expendable?

December 19, 2012

Total Film is reporting that Jackie Chan has confirmed that he will star in The Expendables 3. Chan is also apparently thinking about working on Rush Hour 4, so hopefully that will be fun.

I’m not going to lie, I haven’t seen either of The Expendables flicks, as I don’t care for Sylvester Stallone. At all. I am, however, a Chan fan and even have gone as far as to shamelessly watch his entire cartoon series as 21 year old adult.

I will have no problem catching The Expendables 3 if Jackie Chan is indeed involved.

2.1: Ricky Gervais In The Muppets?

December 18, 2012

Total Film is reporting that Ricky Gervais is “in talks” to star in the next Muppets movie.

As a Muppets fan and a Gervais fan, I welcome this news and hope it turns out to be true. It sounds like a risky mix, as Gervais and Kermit and co. have entirely different brands of humor, but they’re each dynamic enough where the pairing could be great.

2.8: The Terrorists Won

December 18, 2012

The LA Times is reporting that the movie Jack Reacher is being postponed because it features gun violence, and something of that nature might offend people because of the massacre in Newtown, Connecticut.

I understand that national tragedies pull at people’s heart strings, but the fact that we’re affected to the point that movie releases are postponed should be more offensive than the content of any given movie.

2.9: Merchandise Unchained

December 18, 2012

ScreenCrave is reporting that Quentin Tarantino’s Spaghetti Western Django Unchained is being adapted into a comic book.

My first thought after reading the headline was Come on Tarantino, you’re better than this… Upon further reading, however, it’s clear that this isn’t just cash grab merchandising; a whole lot of content that Tarantino wrote couldn’t be added to the movie because of the already long runtime.

This comic book will be an adaptation of everything that Tarantino wrote, including the unused content. This is breathing life into material that would otherwise be dead, and that’s something which every creative person should respect.

There are few things in creative industries as sad as the Cemetery of Unused Ideas, and Tarantino is setting an example which we should all try to follow.

Movie Night

November 5, 2012

Every Saturday night, Twitter user Kevin Carr hosts The Late Night Live Tweet where Twitter users watch a movie in their own homes — at the exact same time as everyone else — and tweet about/laugh at the movie together. Think of it like watching a movie with a group of friends where it’s with beers and for fun (“shushing” forbidden) — only on the Internet.

As an example, a couple of Saturdays ago the movie was The Burning, which is a cheesy 80s throwaway slasher. Being a horrible movie, it features plenty of things to mock and laugh at, which is exactly what us live tweeters on Twitter did. Unfortunately mocking a movie by yourself doesn’t tend to be great, but being able to with a nice selection of movie geeks for 90 minutes is fun, regardless of individuals’ locations.

It might be a bit of a foreign concept to people who think that interpersonal relationships can’t extend beyond a physical bubble, but they’re just plain wrong. This whole “live tweet” thing proves it; multiple people in multiple locations enjoying the same movie at the same time discussing it with each other with everyone having a blast.

It’s actually an interesting idea, that actions can transcend from physical to digital, and vice versa. Tron fracking predicted it in its own way! Be it playing video games with a group or watching movies with some pals, people have found ways to create digital lives, at least partially; I find that fascinating. And I’m reminded of how fascinating it is every Saturday night that I’m not sick or busy.

What’s more fascinating, however, is thinking of how things will advance; will we ever be able to upload our minds and exist in a virtual world? That would be fun. I would totally dig “living” in a Nintendo-created Pokemon world, as a crazy, far out and maybe forever impossible example.

But in 2012, I’m perfectly happy with a movie night on Twitter.

(On the subject of movies, look forward to a movie review tomorrow.)

As an aside, I cannot believe that I still can’t figure out how to use — and ; properly. You’d think after years of college and writing that I’d have impeccable grammar. I’m going to work on that this weekend.

Guest Post: Magic Empire (Bernardo Villela)

October 31, 2012

Editor’s Note: I was a combination of sick and moving last night, and I wasn’t able to get a piece out. Bernardo did get this one to me, although I was passed out when I received it. So to be clear, this is the entry for 10/30/2012. Enjoy! And thanks to Bernardo for saving the day again!

So, here I am again, subbing in for Tanner (or another preferred version of your name) on what turns out to be a very fortuitous day because as we may have heard Disney has bought Lucasfilm. Now, as much as I like the products both offer it’s not an easy piece to write at the same time; I run the risk of either coming off as a sycophantical apologist or a defensive douche. I will do my darndest to avoid both, and to explain why I think this is an amazing on so many levels.

As Disney has admitted, and most of us freely acknowledge, the big coup in the deal is the rights to the Star Wars franchise. Everything else is a bonus, but the bonuses are plentiful too.

Why does Disney taking on Star Wars, not only the ones that already exist, but developing a new trilogy makes sense?

My first example would be to point you towards Marvel. It was only in 2009 when that deal took place. As I have indicated on my blog, I’m kind of a born-again comic fan, but also somewhat limited in scope. I can’t go full boar like I do with films but I’ve gotten back into it, and that has coincided with the rise of the Marvel product on screen. For the most part, the films that lead up to The Avengers and The Avengers itself have won praise both from diehard fans and have brought new fans into the fold. What’s the one glaring thing that’s missing from the series of films? Disney.

I get that the character combinations are jokes, and here’s the potentially defensive douche portion of this piece, but if there’s one thing Disney does well it is respect its brands as I’ve seen many allude to, including Kevin Carr. Where Disney has struggled in recent years is in developing live-action tentpoles for Disney Pictures, which was underscored but the departure of Rich Ross after John Carter flopped epically.

However, in spite of mixed reviews Brave was another Pixar hit, the Animation Studios are still kicking; ESPN may be more entertainment than journalism now, the 30 for 30 series not withstanding, but it’s still a ratings leader; and from what I can tell ABC is doing OK, at least they’re not killing off all their pilots early (:::Cough:: NBC:::Cough::).

And while there may be cross-promotion on occasion on the Disney family of entertainment brands, you don’t see Mickey splashed all over everything all the time. Star Wars is Star Wars. Disney knows that and knows that’s why it’s popular. If the Marvel films are an indicator, they will bring in people who can continue the series in a way that’s generally agreeable to most. So just because you can get a shirt with Huey, Lewey and Dewey fighting Vader in Orlando, does not mean you’ll see them in Episode 7. Merchandise and films are different things.

If that doesn’t convince you, did you like The Muppets? Was the new film not what virtually anyone who had any level of affection for them wanted to see? I grant that the tough Muppet film is the next one. They can’t play the nostalgia card anymore, but what a titanically awesome comeback.

Let us also not forget that a lot of the complaints that many of us may have (I have fewer than most as I illustrate here) are about the prequels, the handling of the the franchise in general and on video usually go right back to Lucas. These decisions are all in Disney’s court now.

The analogy I like to use to illustrate my Disney fandom is that of being a sports fan. If you’re a fan of a team (you can transport this to any institution you want if you bear with me) you love what the team is, stands for and does. That does not, however, prevent the passionate and honest fan from pointing out mistakes or things we disagree with.

Disney’s practice of vaulting classics is just good business. It’s annoying to me as a consumer, but I get it. It increases demand. If you think it annoying to have to buy a film you love in a limited time, try dealing with Disney resellers on Amazon when it’s OOP – it hurts your bottom line a lot more. Not to mention that I, and many other fans, join groups, follow twitter accounts and sign petitions to get certain titles, which have never seen the light of day since VHS, released.Those are two quick, easy ways to indicate how Disney can perturb even the most devoted fan.

However, when you look at the home video marketing of the Marvel films, they have yet to institute vaulting, and they created a box set for The Avengers. What does that mean for Star Wars? My guess is original theatrical cuts on Blu-Ray as opposed to the Lucas-ified edits I didn’t want to touch.

This would be a huge deal for me as my Star Wars journey is a different one; having only really started with the prequels and then watching the originals for the first time in 2005.

So now there’s a new trilogy on the horizon; one that has been rumored for years, but the predictably mixed reactions, a great many of those who felt mysteriously violated in some way, made it feel natural that Lucas to be reticent to return to the director’s chair. So now that goes ahead, and as someone who fell in love with in the latter trilogy, that is something I hoped for an never thought I’d see.

With a new trilogy of Star Wars when you consider merchandise, global box office and home video should make the deal worth it by itself. However, that’s not the only property involved you also have ILM, an effects company that was not only a pioneer but continues to be one of the best in the game; Skywalker Sound, a state-of-the-art post production sound studio used by many films; Lucasarts, Lucas’ gaming division, and the Indiana Jones series.

Speaking in unscientific terms about a kajillion people go to Disney Theme Parks annually where there are Star Wars themed rides. So this should’ve been a no-brainer and foreseen. George Lucas’ deals for rights and merchandising were historic and unprecedented. He had the means to retire long ago, but only recently has it started to seem like a real possibility. Now it can happen. The torch has been passed.

The technical end is a huge bonus for Disney and makes the deal work even better. The only uncertainty is Indiana Jones, again this is an oft-licensed character so that helps in terms of revenue, but my reservations are about the state of the series. Part four was a long way in coming there were disagreements about plot points and script drafts that were apparent. I was getting the sense tangibly and intangibly that Spielberg wasn’t going to prioritize a 5th film. He has, as always, so many options, keeps himself busy with so many projects that he needn’t go back there yet again. Lucas seemed to need to go there more, but if he’s out of the game maybe, just maybe Spielberg isn’t as interested in either continuing it or rebooting it. So a lot of that has to do with the precarious state the franchise was in to start with. Do I expect Disney to do something with Jones? Is water wet?

In conclusion, it’s obviously a windfall for both sides financially. Disney’s investment, I suspect will net it similar returns to the Marvel deal. I think that was fairly obvious to most. Aesthetics are the only sticking point and I would really love to see what else happens a long time ago in a galaxy far, far away…


Bernardo is the writer/editor of The Movie Rat. Most recently, Bernardo formed a new production company (Miller-Villela Productions, LLC) where they have many projects in the works, and is currently in pre-production on the original horror feature All Hallows’ Eve. You can read a more verbose version of his bio there if you’re so inclined.

Movie Review: 1313: Night of the Widow (2012)

October 8, 2012

So this is it. The end. The review which I’ve been waiting to write since 1313 Week began. Spoiler: I’m happy to report that we get to end it on a high note; This is the movie from the 1313 franchise that I’ve wished for as I put myself through Hell for four days. I hope you enjoy this review and I promise that this blog won’t return to the 1313 franchise for a very long time.

Written by Moses Rutegar and directed by David Deoteau, Night of the Widow surrounds an unorthodox funeral for Michael (Jake Lockett) — a now former millionaire who married a psycho, and his five friends who attend the service in Michael’s mansion. One thing leads to another, and as chaos ensues Michael’s friends learn that it might be their funeral too.

The acting isn’t all that terrible — the actors aren’t good actors, but in context their performance is okay for this movie. They come across as real enough where I’m comfortable not saying that these actors are doing a disservice to cinema. Maybe Louis Ferrigno Jr. comes across as weird and maybe Andrea Stine is irritating despite being cute. Otherwise, no complaints, take that as you will.

The writing is surprisingly okay; I think that of what I’ve seen, Night of the Widow has the best writing of the 1313 franchise. That isn’t saying a lot, but this is the first movie of the franchise which I buy from start to finish. I buy the characters’ relationships with each other. I buy how they act, I buy the drama. On top of all that I buy that people don’t take their shirts off to socialize!

It’s genuinely hard to believe that Rutegar, Night of the Widow‘s writer, also wrote Wicked Stepbrother and Billy the Kid, the quality is night and day! Rutegar must have had a revelation somewhere, because it’s hard to imagine that the person who wrote this movie is the same person who wrote Wicked Stepbrother. It seems vaguely impossible!

Honestly I’m torn on this. On one hand, Night of the Widow is a little fun and DeCoteau and Rutegar did a good job making me like a few of the characters. On the other hand it isn’t really that great. Of the seven 1313 movies which I’ve seen so far, this is the best in terms of character development, story, and even originality. Taking all of that into consideration, with the fact that this is the end of 1313 Week, I’m going to give it a pass.

It probably isn’t worth your time, but Night of the Widow is on Netflix USA as of this writing if you do want to check it out. It’s honestly bad, but think of it as the lesser of seven evils.

As a sidenote, I’m all for cutting costs, but I feel that I’ve seen the same mansion used as a set for DeCoteau’s 1313 movies way too many times. This isn’t a valid point against Night of the Widow, but it is against the 1313 franchise as a whole. DeCoteau has proven that the 1313 franchise has the budget for other sets, with Hercules Unbound! and Billy the Kid being that proof. Using this tired mansion set is lazy. At least switch up mansions.

That said, most people probably won’t watch more than one of these movies, and as such won’t have the chance to experience déjà vu — lucky them! However, I do expect at least a micron of originality in production, and if you’re a filmmaker and you use the exact same set over and over and over, it’s disheartening to people like me… we’re suffering enough!

Movie Review: 1313: Billy the Kid (2012)

October 4, 2012

1313 Week is a week dedicated to reviewing David DeCoteau’s homoerotic franchise. Partly an experiment to see if I can survive an entire week of the films, I hope you enjoy this week.

Sepia tone: Oft used image filter that people think improves photos, for whatever reason, as in reality it usually ruins the photos (Examples). The filter has never been applied to a movie for the entire duration — until now. Enter 1313: Billy the Kid.

Written by Moses Rutegar and directed by David DeCoteau, Billy the Kid is the head-scratcher of the 1313 franchise. For one there are only around five scenes with topless men (so, kudos). Second, it’s a Western-Horror, which is an interesting change of course from the others. And third the entire film is put through a Sepia filter, which is an utter disaster of international proportions (more on this later).

As the story goes, Billy the Kid (Brandon Thornton) is wounded and on the run from the law after escaping prison. Eventually Billy stumbles into a near-ghost town called Hell’s Heart, where Athena Lottie (Chelsea Rae Bernier) mends him to health. Once four days pass and Billy is healthy, strong, and badass as ever, Deputy Whitecastle (Jason Zahodnik) becomes suspicious of Billy, shenanigans happen, and Hell’s Heart lives up to its name.

Getting it out of the way: The Sepia filter being applied for the entire 75 minute duration is the single worst editing decision that I’ve ever seen. The reason I’m guessing that the filmmakers applied the Sepia filter is because it’s a cheap way to make an image look antiquated. Obviously if you’re making a Western, you might want an antiquated feel, but it has to be genuine. It can’t be something that a pre-teen with an iPod touch and iMovie can do.

The acting is horrible, and honestly a lot of that has to do with the casting. Billy the Kid is the sixth movie from the 1313 franchise that I’ve seen, and as DeCoteau recycles his cast I’ve seen a lot of these actors. The thing that I can say with confidence is that of DeCoteau’s regulars, the cast might have been correctly selected but their roles were not. If the actors were given roles that suited them, this honestly might be a vaguely entertaining movie.

(That said, the fact that these actors aren’t good to begin with doesn’t help.)

Interestingly enough, there isn’t verbal dialogue until roughly ten minutes into the movie; coincidentally those were my ten favorite minutes! It’s just the score which isn’t bad, and Billy the Kid wandering around in a Sepia toned desert. If the entire dialogue was stripped and Billy the Kid was just the characters going through the motions to music, it’d be 10x better. The dialogue problem might have to do with the actors speaking the dialogue, but it’s really kind of bad.

I hate talking about clothes, but I get the sense that DeCoteau wanted his actors to be topless as in the rest of the 1313 franchise. I think that he understands that the desert in Western-times isn’t a mansion in Southern California, but I say what I am because he has his actors here wear vests with no clothing underneath. It’s a compromise, we don’t see nipples, but we do get a bit of the chest, six pack, and muscular arms. That’s a compromise I can accept.

So should you watch this movie? No you should not. If for any reason, just to protest the use of the Sepia filter. But otherwise it has problems up and down with the acting/casting and dialogue, and even with the vest compromise the actors do go topless occasionally. As of this writing 1313: Billy the Kid is on Netflix USA, but again you’ll want to skip it. Unless you’re a masochist, at which point I can’t help you.

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